It’s been about a month since I started LFCC, and I’m still only part way through phase 1 – which is interval-based diatonic scales with directional changes. I’m nearing completion of just the first page, and in major only. That’s 14 exercises x 12 major keys, going from q=80 up to at least q=160, often up to q=200. It would be a bit faster if I stopped at 160.
The rest of just phase one is the above in minor (1 more month) and then both in 4ths, 5ths, 6ths, 7ths, and octaves. Each interval group is 4 exercises, so this roughly 5 months at the current pace.
Adam suggests 6 keys per week (3 in major and minor) and says “in one direction”… which is unclear. Is that one exercise (up, down, up/down, down/up) or all four?
In order of difficulty, I would say they are:
- #1 – diatonic scale (12345678)
- #14 – 4 note segments, up/down (1234 5432 3…)
- #18 – 4 note segments, down/up (4321 2345 6…)
- #8 – 4 note segments, up (1234 2345…)
- #10 – 4 note segments, down (4321 5432…)
- #4, #22 (dup) – thirds up (1324 3546..)
- #26 – thirds up/down (1342 3564…)
- #26 – thirds down/up (3124 5346…)
- #24 – thirds down (3142 5364…)
Note that due to the direction changes, some of the “thirds” exercises are mixtures of thirds and seconds (22, 26, 28), while others are thirds and fourths (24).
I’m not sticking to 6 keys per week at the moment, but rather going as quickly as possible. For the easy keys, I can often knock off 6 keys (e.g., FCGDAE) for one or two exercises in a single session. For the harder keys, 2 exercises (e.g, Db/F#) in one key is more like it.
I have to guess exactly what phase each exercise is in, rather it being explicit. Each exercise should be marked with a phase number. I believe Phase 1 is pages 1-3, measures 1-67.
The log sheets are organized one page per exercise, iterating over 12 keys. I think it’s better to have one key per key, with only 2-4 exercises on it. After doing an exercise in one key, it’s easier to stay in that key for a while than jump around.
Similarly, I think it’s easier to do all the majors first, and then the minors; or, pair the majors with their relative minors (C major with A minor) as they share much of same notes. The former is more challenging since it gets into F# and B much faster, but it’s helping break bad habits faster.